“Hanami” — Muhamed Kafedžić
03 — 18. 10. 2020
Hanami (花見 – Flower Viewing) je tradicionalni japanski običaj posmatranja i uživanja u beharu – beharu šljive (umemi – posmatranje šljivinog cvijeta) koja počinje cvjetati ranije, pa onda japanske trešnje, koja u isto vrijeme označava dolazak i početak proljeća u Japanu. Ovo je ujedno i naziv izložbe Muhameda Kafedžića Muhe, na kojoj su predstavljeni radovi nastali u periodu 2019 – 2020., a predstavljaju razmišljanja, istraživanja i proširivanja slikarskih tema i tehnika inspiriranih njegovim boravkom u Japanu. Ovi radovi su svojevrstan „behar“ koji najavljuju nastanak novih serijala slika i umjetničkih radova – umjetnikovo lično proljeće. Njegova nova istraživanja počinju 2018. godine kada uvodi pleksiglas kao slikarsku podlogu inspirisan radovima slovenačkog slikara Jože Ciuha i japanskih celova za anime, a dalje produbljuje ovu tehniku pod uticajem japanske tradicije pravljenja diorama. Dodatno se vraća strip i ilustratorskim tehnikama koje opet kombinuje sa tradicionalnom gradnjom portreta. Ovo kombinovanje tehnika je u duhu ukiyo-ea, a i suvremenog slikarstva, koji su po svojoj prirodi eklektični. U radovima dominira motiv trešnjinog cvata (sakura) sa drugim floralnim motivima, Velikog talasa i vode, te osvrti na poznata umjetnička djela u okviru serijala Utamaro Lichtenstein.
Ovo je treća samostalna izložba ovog umjetnika u Bihaću, a njoj su prethodile Gome no Sensei (Master of Tresh) u Izložbenom salonu Muzeja USK-a u okviru Coltan Festivala 2005.v godine i 100 Pogleda na Ukiyo-e (100 Views of Ukiyo-e) u Gradskoj Galeriji Bihać 2012. godine. Ovaj umjetnik ima posebnu vezu sa Bihaćom i Bišćanima, a što se naročito ističe u stalnom učešću i podršci Likovnoj koloniji Admir Lješčanin – Duga.
Muhamed Kafedžić Muha i Gradska Galerija Bihać Vas ovim putem pozivaju da posjetite izložbu i sami uživate u posmatranju „behara“.
Hanami (花見- Flower Viewing) is a traditional Japanese custom of observing and enjoying the blossom – plum (umemi – observing a plum blossom) which begins to bloom earlier, and then the Japanese cherry, which at the same time marks the arrival and the beginning of spring in Japan. This is also the name of the exhibition of Muhamed Kafedžić Muha, which introduces his works created in the period 2019 – 2020, and presents his reflections, research and expansion of the painting themes and techniques inspired by his stay in Japan. These works are a kind of “blossom” that announces the emergence of new series of paintings and works of art – the artist’s personal spring. His new research began in 2018 when he introduced plexiglass (PMMA – acrylic glass) as a painting surface inspired by the works of the Slovenian painter Jože Ciuha and the Japanese anime cels (セル画), and he further on deepened this technique under the influence of the Japanese tradition of making dioramas. He returns to comics and illustrative techniques that he combines with traditional portrait. This combination of techniques is in the spirit of Ukiyo-e, as well as contemporary painting, which are eclectic by nature. The works are dominated by the motif of cherry blossom (sakura) with other floral motifs, the Great Wave and water, and the reviews of famous works of art within the series Utamaro Lichtenstein.
This is the third solo exhibition of this artist in Bihać, and it was preceded by Gome no Sensei (Master of Tresh) in the Exhibition Hall of the USK Museum as a part of the Coltan Festival in 2005, and 100 Views of Ukiyo-e in the City Gallery Bihać in 2012. This artist has a special connection with Bihać and Bišćani, which is especially evident in the continuous participation and support of the Art Colony Admir Lješčanin – Duga. Muhamed Kafedžić Muha and the City Gallery of Bihać hereby invite you to visit the exhibition and enjoy viewing “blossom”.